Tagged: Face of Oblivion

This Friday in Kato: Past, Present, and…Future?

Nato Coles & the Blue Diamond Band

Nato Coles & the Blue Diamond Band

It’s Thursday already, so let’s get down to business. While most of this weekend’s festivities are going to be quite familiar to locals (more on that later), if you’re into the whole “live music” thing, Kato’s going to be on fire this Friday.

2nd Annual NYDM 5SRC Toys for Tots Drive (Busters, 9 p.m.; $8 cover, $3 with toy donation)

Scheduled well in advance at Busters after the What’s Up Lounge reopened with a “no hip-hop or extreme metal” policy (which has since been rescinded because money), this benefit is headlined by Mankato death metal heavyweights Face of Oblivion. This will be their second (?) show featuring new vocalist Jesse Watson, who replaced ex-Origin vocalist James Lee earlier this year.

It’s rare for a Midwestern town of Mankato’s size to boast a DM act of this caliber, so it’s cool to see the five-piece ramping up their activity.

Rounding out the bill are local-ish metalcore upstarts HeirAfire, Anoka ReverbNationals Beauty of Decay, and MPLS melodeath manipulators Echoes of the Fallen.

The Last Revel & Charlie Parr (Mankato Brewery, 7 p.m.; $7 advance, $10 door)

Sneakily, Mankato Brewery has become one of our city’s hottest spots for live music. (An ample stage, quality sound, and a steady flow of fresh beer seem to be working in their favor.) Bluegrass / folk shredders The Last Revel have been absolutely buzzing over the course of the last eighteen months, peerlessly triggering shoeless sashaying and mirthful pogo-ing amongst artsy Caucasians.

While The Last Revel have styled themselves as a semi-regular attraction, Charlie Parr’s trips down from Duluth are rare, so this is your best opportunity to catch the crusty folk legend without having to endure the Solstice marathon.

[It’s been awhile since I’ve set foot in the Brewery, but if the Mad Butcher IPA is still on tap, CAPITALIZE. While MB may have stumbled out of the gate, the release of this Haymaker killer, along with last summer’s delightful, surprising Kato Lager, means that our hometown beermongers are officially on a roll. Extra bonus: Lola‘s totally righteous food truck is lumbering in from New Ulm, so y’all are SET.]

Nato Coles and the Blue Diamond Band (NaKato, 10 p.m.; no cover)

This is almost a last-minute booking at the NaKato, with the event page surfacing on FaceDUMBRACISTYELLINGbook just yesterday. At first glance, it looked like this might’ve been another tough Lower North gig for Nato & Co. (their last NaKato appearance was during Boogie on Belgrade and attendance was lackluster), but hey: That Brewery show starts at 7. Nato throws down at 10. If you’re on the right side of the bridge, a doubleheader is mandatory, because this is the best rock n’ roll band that travels to our southern wasteland on the reg. Those that caught their set opening for Cheap Trick at RibFest this summer already know what’s up.

Let’s do this shit…

…again.

Yeah, this entire post looks really familiar, doesn’t it?

It’s not a copy-and-paste job. Our scene is just getting that stagnant.

After a little over a year of writing (sporadically) about Mankato nightlife, this blog has been losing steam. Frankly, it’s not that exciting to write about local and regional music when there hasn’t been anything new or fresh that has blown our doors off in ages.

Mankato’s music scene has been in a transitional period for the past year-plus, but the reaction of bookers and promoters hasn’t been one of injecting newfound adventure and excitement. Instead, they’ve displayed trepidation and restraint. While there have been a couple of highlights in 2015, the last time this town was blessed with truly buzzworthy Minnesota music was the Fury Things / Hardcore Crayons show last winter.

Many were clinging to the hope that the What’s Up would jumpstart the scenery once it reopened under new management, but quality bookings have been sparse. The Kult of the Wizard / Highgraves show was a gem, sure, but we’ve either been subjected to scenester stuff that doesn’t appeal to the 21+ crowd or outdated mallrock for the painfully uncool. Their big “get” to close 2015 is “National Recording Artist” Saliva, whose sole hit, 2001’s “Click Click Boom,” likely only triggers excitement among people that watched Sons of Anarchy for the chase sequences. At this stage, it feels less like a hotspot and more like a reanimated corpse.

Meanwhile, most bars seem to be treating live music as an afterthought. Chopps has been doing well with hip hop, and Moonshiner seems to finally be stretching its wings a bit, but as a city, we’re stuck in a rut. The formulas that are working right now are only going to work for a finite period of time, and if bars and venues don’t take risks, the cautious, cyclical booking they’ve been riding for the past 12 months may wear dangerously thin on an increasingly-jaded populace.

Let’s get out there and light some fires, Mankato.

This Weekend in Kato: Davina and the Vagabonds

Davina-The-Vagabonds-9

So, Friday night was a bit of a blur. Local Distortion and I Can’t Believe It’s Not Green Day–bands that play exactly what you’d think, Voltron’d from members of WarRooster, Beautiful Corpse, Face of Oblivion, Acanthostega, and Compulsive Mutilation–played the What’s Up Lounge to a solid crowd. However, there’s a problem with the What’s Up: you’ll eventually drift down to the Oleander. Which is basically the worst bar in the area. Which means you’ll get extra-shitcanned in an attempt to make up for it. Which never works, and then you’re just hammered and bored and significantly sketched-out.

Brutal case of the Too-Many-Jamesons aside, both acts were super fun, and if you’re a fan of Social D or Green Day (seventh-grade me would’ve been stoked), you should catch ’em next time.

Tonight, we’re headed to the dreaded downtown “entertainment district” for…

Davina and the Vagabonds [Pub 500, 9 p.m.]

Despite racking up an esteemed reputation in the Midwest (and recently, worldwide), Davina and the Vagabonds haven’t ignored Mankato in favor of lusher pastures. And that’s pretty cool. After packing the Wine Cafe to the point of reckless endangerment on multiple occasions, they’re upgrading to Pub 500, which allows for more robust attendance. (Also, actual sightlines.) Frankly, this quintet is too damn big for this town’s bar crowd, and likely one of the best kept secrets in a blues / jazz scene that may or may not exist beyond this hardscabble metalpunk’s purview, making this show essential.

Sure, you could make the quick drive up to Nicollet Mall and see ’em at the Dakota Jazz Club semi-regularly…after placing a reservation weeks in advance for the opportunity to sit on your hands with a crowd of stolid, aging yuppies that turn down their noses at the uptempo numbers. Or you could just drive / walk / bike a few blocks and keep it lower-middle-class.

Speaking of the Dakota, here’s some killer live footage from a 2010 set that wisely keeps the boring white people out of the shot:

That should sell itself. See you there.