Yeah, things have been quiet around these parts. But it’s about to get LOUD.
This Friday, the What’s Up Lounge hosts a show that I’ve been anticipating since Let It Breathe started kicking up smoke, an event that we should hope is the first brick in a bridge between the Mankato and Minneapolis stoner / doom scenes:
Before we dissect the lineup and give it the hard sell, let’s make a brief digression.
One of the things I’ve noticed since breaking free from the comforts of Internet music fandom is that, in the real world, loudrock still has a trash-ass reputation. In the last month, the River Valley endured Five Finger Death Punch and Papa Roach–pastiched, corporate rock whores that generate cash by covering classic rock songs that are still embedded in Clear Channel playlists–holding a much-ballyhooed bro-down in our hockey arena; meanwhile, the What’s Up opened their doors to a bunch of grown-ass men that are combining Tool tropes with chugcore nearly 15 years too late.
Nu-metal still lives in the Midwest. The JNCO nuclear apocalypse happened, but there are still Corey Taylor-worshiping cockroaches scurrying everywhere.
Proof? I was having a beer on Monday night in an empty bar, minding my own business, while two thirtysomething white males (in matching camo caps) assaulted the TouchTunes with Metallica‘s asstastic cover of “Overkill,” a whole lot of Korn, and something from Machine Head‘s ultra-maligned rapcore cashgrab Supercharger.
Whether it’s fair or not–and it’s not–these are the ambassadors of heaviness to the greater public. Despite the great lengths my friends and former colleagues have gone to promote forward-thinking, intelligent heavy metal via NPR, Pitchfork, PopMatters, and other outlets that have broader, crossover appeal, aggressive music is still standardized by dimwits that stopped challenging themselves in high school.
Don’t let that perception deter you from REVELING IN YOUR DOOM this Friday.
For the uninitiated, the best way to describe doom metal is this: Imagine that the lineage of heavy metal is a straight line from Black Sabbath, and the branches that sprouted from Judas Priest, Iron Maiden, Slayer, Bathory, and Death never took root. All doom and stoner metal bands basically use Master of Reality as a touchstone, retracing the lines and filling in their own colors along the way.
Friday’s Mankato doomcrew consists of WarRooster and Let it Breathe, both of whom have been covered here ad nauseam. (Hey, gimme a break; I like riffs.) The two bands highlight the disparities within the subgenre; WarRooster’s take is peppy and uptempo, loaded with time changes and rollicking riffery, whereas Let It Breathe stretches things out, slow-boiling their strings in smoke while hammering away underneath.
The Twin Cities are exporting a pair of bands on the upswing. St. Paul’s Highgraves are practically infants, with only a single demo on Bandcamp (not ReverbNation; take note, strugglers). But they’ve already played with MN elite like Vulgaari and Wolf Blood, and landed an October gig opening for savage duo Black Cobra and critical doomlings Yob. Their demo is rough around the edges (it’s a freaking demo, people), but the heft is there, and intentionally or not, it’s scuzzy as hell.
But the real treat is Minneapolis’ Kult of the Wizard, who, after churning out a pair of instrumental recordings, made a splash on the national scene last year with The White Wizard. Receiving favorable (if lazy) comparisons to acts like Witch Mountain and The Devil’s Blood from the likes of Cvlt Nation and Decibel–as well as being featured in my former outlet, Last Rites–the band has been getting hyped from ‘heads in the know.
Mankato’s been blessed with the opportunity to watch them grow.
Be there or be doomed. (Actually, you’re doomed either way, BUT WHATEVER.)